IN DEFENSE OF HOWARD ZINN - SORT OF
I note with some disappointment the reaction of many conservatives to the History Channel’s broadcast of The People Speak,, a project brought to us by the radical professor of political science, Howard Zinn.
Referring to Zinn as an “historian” is something of a misnomer. Rather, he uses his research into history to advance a personal, political, far left agenda. In other words, scholarship takes a back seat to politics.
Is he “anti-American?” Zinn, much more than most on the left, is dissatisfied with America not only as she has turned out, but even as she was conceived. His decidedly deterministic and Marxist interpretation of history sees the “revolution” as a gigantic trick played upon ordinary people, substituting British tyranny, for the merchant and manufacturer tyranny of the upper class that was homegrown. This makes him “anti-American” in the sense that he hates even America’s founding.
So yeah, he’s one of the few Americans that I would have little hesitation in referring to as “anti-American.”
But Zinn has also done this country - inadvertently - an enormous service. His book A People’s History of the United States popularized social history in a way that more academic social historians have never been able to do. There have been a few social histories of the United States that found favor with the public. David Hackett Fisher’s Albion Seed which told the story of the migrations to early America was a best seller. My personal favorite is a trilogy by the former Librarian of Congress Daniel J. Boorstin simply called The Americans.
But Zinn’s one volume People’s History is riveting reading and is used as a textbook in some high schools and many colleges today. Zinn gets in your face and forces you to see the underside of America that is just as real, just as compelling as any patriot’s story you are likely to read. It is full of angry people telling their stories, indicting America for its many sins against Native Americans, women, blacks, and unionists.
Yes, this is “real” history and deserves as much of an airing as any narrative history that reveals the sunny side of our past. The reason is “perception.” Good history - popular history - always has a point of view. Events are revealed according to the biases, both conscious and unconscious, of the historian. There is the danger - one that Zinn tumbles into - that the historian will become too emotionally involved with the subject matter and begin to make decisions that de-objectify the narrative. But good historians writing good history overcome this prejudice by thoughtful scholarship and not romanticizing or demonizing their subject. Conclusions are drawn carefully, and not without a bellyfull of primary source material that leads the reader to draw conclusions almost naturally, without much help from the author.
Zinn lets ordinary Americans reveal his point of view while structuring his narrative for maximum emotional impact. It is a damned effective technique although one should question how “scholarly” this approach might be.
An honest assessment then, would give these ordinary Americans directly affected by slavery, Jim Crow, second class citizenship for women, cultural genocide of Native Americans, and the government’s resistance to the formation of unions their voice and an equal place in our national storybook. Their words reflect their personal perceptions - their real life experiences - with oppression.
It is hard for some of us to acknowledge the fact that the glowing words and idealism found in our Declaration of Independence and Constitution didn’t mean squat to a very large number of our fellow Americans for a very long time. This is the way it was, and still is in some respects, which is why it is vital that we listen to what they have to say and acknowledge that we have often fallen short in making our ideals a reality for all Americans.
There is no shame in this. Indeed, I celebrate the fact that it is part of our exceptional nature that if we fight hard enough, and long enough, we can change the very nature of our society, something that is an impossibility just about anywhere else on earth. It is this revolutionary spark that is nurtured by books like A People’s History of the United States, even if its author is an anti-American, Marxist loon.
The History Channel would have done well to limit the scope of this project. It appears from their website that they have not. Wandering off into subjects that are clearly the personal pet peeves of Zinn would seem to make The People Speak almost unwatchable.
Case in point, this segment on the mutiny of the Pennsylvania Line in the winter of 1781. The narration leading up to a description by a Continental soldier named Samuel Dewee of the execution of 5 mutineers is laughable - a travesty really. The narration is read by poet Staceyann Chin and describes the officers eating well and being clothed in fine, warm uniforms while the ordinary soldier went about in rags while being paid in “worthless Continentals,” the inflated paper money. The mutiny was a protest against soldiers not having been paid since the beginning of the war and resentment against some officers was commonplace as it is in any army.
The facts are a little different. Most officers had not been paid either. If they ate better - a highly dubious proposition - it was because there were some that received their salary in coin, dispensed by the Pennsylvania state government, and were able to purchase food from the farmers in the surrounding countryside. These were usually officers who were still carried on the rolls of the state militia. Most received nothing.
And the executions? While corporal punishment was common in every army at that time, there is no official record that anyone was executed for the mutiny. It is hard to say what Dewee was describing when he told of these executions because according to histories developed from primary source materials, no one was put to death as a result of the mutiny. A few weeks after the Pennsylvanian’s protest, some New Jersey troops tried the same thing - with much different results. Washington sicced some hard eyed Connecticut men on the New Jersians and the mutiny died in a few hours. He also executed some of the ring leaders.
The question I have is why include this little vignette at all? Are we supposed to be shocked that starving, unpaid patriots would rebel against the authorities who were the cause of their intense suffering? Matt Damon was apparently so shocked that his junior high knowledge of history prevented him from imagining the bad things that have happened in America that he wanted to share with the rest of us.
And this is my major beef with this entire project. I have seen several of the segments from the series and the whole enterprise stinks of sanctimony - as if American history of this kind is locked away in a closet guarded by CIA agents 24 hours a day. All these liberal Hollywood and artsy-fartsy types have the arrogance to think that they are revealing anything that a 5th grader couldn’t discover on his own by taking a walk to a local library or even getting on line and performing some simple minded googling.
An example is Matt Damon’s melodramatic reading of the Declaration of Independence. That document contains a list of grievances of the colonists, some of which may find an echo with both right and left today. I have no doubt this is Zinn’s doing, as the radical is constantly calling for revolution of the non-violent kind.
In fact, for Damon and some of the others who read the letters, diary and journal entries, speeches, and other media upon which the show is based, it appears that they approach the subject matter as if there has been some kind of plot to keep our inglorious past hidden from the American people. Simpletons who are exposed to critical pedagogy are usually floored when they realize that they don’t know everything. And upon receiving knowledge that overturns their assumptions, are almost evangelical in their desire to lecture the rest of us about what we don’t know.
Social history is a valuable adjunct to narrative history - the latter usually concentrating on the “Great Man” or “Great Ideas” view of our past. But social history without proper context is incomplete and this Howard Zinn project for the History Channel appears to fail miserably in providing any kind of structure that would enlighten anyone about the true nature of America and our past.



